Taylor Swift, Will Ferrell and Gloria Steinem Lead Sundance 2020 Lineup


(NEW YORK) — A documentary on Taylor Swift will kick off the following Sundance Movie Pageant, the place new movies together with the Will Ferrell-Julia Louis Dreyfus remake of the Swedish movie “Force Majeure” and Benh Zeitlin’s long-awaited follow-up to “Beasts of the Southern Wild” are set to premiere.

Programmers for the preeminent showcase for unbiased cinema, based by Robert Redford and set yearly within the mountains of Park Metropolis, Utah, introduced the lion share of the lineup for its 2020 version on Wednesday. The lineup of 118 feature-length movies, culled from a document 15,100 submissions, come from 27 nations, consists of 44 first-time filmmakers and is among the many most various within the competition’s 37-year historical past. Within the 4 competitors classes, 46% of the administrators are girls, 38% are folks of coloration and 12% are LGBTQ.

The approaching Sundance, set for Jan. 23-Feb. 2, follows a 2019 competition that noticed big-pocketed streaming providers set off an avalanche of high-priced acquisitions, a few of which notably fizzled on the field workplace. Amazon paid giant sums for “Late Night” and “The Report” however neither made a lot of a dent in theaters; Amazon is now shrinking its unique theatrical window for some releases. Warner Bros.’ paid $15 million for the Bruce Springsteen-infused coming-of-age story “Blinded by the Light,” but it surely didn’t catch on.

The most important hit to emerge from final 12 months’s crop was Lulu Wang’s “The Farewell,” which has grossed $17.7 million for A24. It’s been one of many vibrant spots in a attempting market this 12 months for indie movie. Nonetheless, Sundance, the place motion pictures like “Get Out,” “Little Miss Sunshine” and “The Big Sick” first debuted, stays the premier manufacturing facility for breakout hits. Recently, that’s more and more meant documentaries, too, together with “RBG,” “Won’t You Be My Neighbor?” and, from this 12 months’s Sundance, “Apollo 11.”

Positive so as to add additional frenzy this 12 months is Lana Wilson’s “Taylor Swift: Miss Americana,” which the competition describes as “a raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life.”

Netflix has acquired the movie and plans to launch it in early 2020. It’s also set to distribute seven extra, together with new movies from “Mudbound” filmmaker Dee Rees and the fictional debut of “What Happened, Miss Simone” director Liz Garbus — an early signal that Netflix will play a distinguished function on this 12 months’s Sundance.

Apple, too, has already gotten in on the act, a 12 months after making its first acquisition at Sundance (“Hala”). On Monday, it picked up a high-profile documentary headed to Park Metropolis: Amy Ziering and Kirby Dick’s untitled movie a couple of former music government grappling with the choice to go public with a narrative of sexual assault by a notable determine within the music business. Oprah Winfrey is an government producer.

“This year’s festival is full of films that showcase myriad ways for stories to drive change, across hearts, minds, and societies,” Redford, president and founding father of the Sundance Institute, stated in an announcement.

Among the many movies debuting in Sundance’s Premieres part is Nat Faxon and Jim Rash’s “Downhill,” the English-language remake of Ruben Ostlund’s “Force Majeure,” starring Louis-Dreyfus and Ferrell as a pair whose relationship is altered after they escape an avalanche.

Zeitlin will unveil “Wendy,” a “Peter Pan”-inspired journey shot within the West Indies. It’s his first film since his Oscar-nominated debut, “Beasts of the Southern Wild,” a sensation at 2012’s Sundance.

Additionally on faucet for are Rees’ Joan Didion adaptation “The Last Thing He Wanted,” with Anne Hathaway and Ben Affleck; Michael Almereyda’s Nikola Tesla biopic “Tesla,” starring Ethan Hawke because the engineer-inventor; Florian Zeller’s “The Father,” with Anthony Hopkins as an aged man who strikes to Paris, co-starring Olivia Colman; and Garbus’ debut “Lost Girls,” a missing-child drama with Amy Ryan and Thomasin McKenzie.

Different notables embrace Julie Taymor’s nontraditional Gloria Steinem biopic, with Julianne Moore, Alicia Vikander, Bette Midler and Janelle Monae; Justin Simien’s horror satire “Bad Hair”; Dominic Cooke’s Cuban Missile Disaster drama “Ironbark,” with Benedict Cumberbatch; Emerald Fennell’s “Promising Young Woman,” a revenge story led by Carey Mulligan; Sean Durkin’s ’80s-set marriage story “The Nest,” with Jude Regulation and Carrie Coon; Josephine Decker’s Shirley Jackson biopic “Shirley,” starring Elisabeth Moss because the “The Lottery” writer; Viggo Mortensen’s directorial debut “Falling”; and Miranda July’s “Kajillionaire.”

Different documentaries coming to Sundance embrace Ron Howard’s “Rebuilding Paradise,” in regards to the aftermath of the devastating 2018 California wildfire; “The Fight,” in regards to the ACLU’s authorized battles with President Donald Trump; the Deepwater Horizon oil spill expose “The Cost of Silence”; and Kim A. Snyder’s “Us Kids,” in regards to the teenage survivors of Parkland, Florida.

This would be the final Sundance overseen by its longtime director, John Cooper. He’s stepping down subsequent 12 months to tackle the function of emeritus director.

“​The program this year, my last as director, is a celebration: of art and artists, yes, but also of the community that makes the annual pilgrimage to Park City to see the most exciting new work being made today,” stated Cooper.

Contact us at editors@time.com.


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